MARIANA SANCHEZ

ATLANTIC THEATER, NY

NY Times Critics’ Pick ★★★★★ Time Out

By Alice Birch

Directed by Lileana Blain-Cruz

Fotos by Hanna Wasileski

BY JACKIE SIBBLIES DRURY

(WORLD PREMIER) NY Times Critics’ Pick ★★★★★

LTC3 LINCOLN CENTER THEATER

DIRECTED BY LILEANA BLAIN-CRUZ

SCENIC DESIGN: MARIANA SANCHEZ

LIGHTING DESIGN: JIYOUN CHANG

COSTUME DESIGN: KAYE VOICE

SOUND DESIGN: PALMER HEFFERAN

https://www.nytimes.com/2019/02/25/theater/marys-seacole-review.html#:~:text=Jackie%20Sibblies%20Drury%20has%20taken,an%20inspirational%20story%20of%20uplift.

https://www.newyorker.com/magazine/2019/03/11/jackie-sibblies-drury-on-the-work-of-caregiving-and-taking

https://www.artforum.com/columns/catherine-damman-on-jackie-sibblies-drurys-marys-seacole-243052/#:~:text=Marys%20Seacole%20operates%20by%20such,address%20one%20another%20by%20name.

Photos: Mariana Sanchez and Julia Cervantes

DALLAS THEATER CENTER, TX

Written by Will Power

Directed by Nataki Garret

BY MARY-KATHERYN NAGLE

(WORLD PREMIERE)

OREGON SHAKESPEARE FESTIVAL

DIRECTED BY LAURIE WOOLERY

SCENIC DESIGN: MARIANA SANCHEZ

LIGHTING DESIGN: JIM INGALLS

COSTUME DESIGN: E.B. BROOKS

SOUND DESIGN: PAUL JAMES

PROJECTION DESIGN: MARK HOLTHUSEN

co-created by

Dustin Wills director (Princess Grace Foundation Awardee 2013)

Kate Tarker writer

Daniel Schlosberg composer

BARYSHNIKOV ARTS CENTER

Mariana Sanchez-Hernandez sets

Montana Blanco costumes

Joey Moro lights

Kate Marvin sound

Joo Kim associate sets

A MUSICAL BASED ON THE STORIES OF A. A. MILNE

ALLIANCE THEATER, ATLANTA

DIRECTED BY LEORA MORRIS

SCENIC DESIGN: MARIANA SANCHEZ

LIGHTING DESIGN: STEVE LOVE

COSTUME DESIGN: FABIAN AGUILAR

SOUND DESIGN: CLAY BENNING

MUSIC DIRECTOR: DYLAN FREDERICK

PHOTOS BY GREG MOONEY

By Tanya Saracho

THEATER WORKS, CT

Direction: Jerry Ruiz

Scenic Design: Mariana Sanchez
Costume Design: Harry Nadal
Lighting Design: Amith Chandrashaker
Sound Design: M.L. Dogg

By Phillip Howze

THE BUSHWICK STARR

Direction: Dustin Wills

Scenic Design: Mariana Sanchez
Costume Design: Seth Bodie
Lighting Design: Masha Tsriming
Sound Design: Pornchanok Kanchanabanca

Pictures by Joey Moro

Directed by Eric Ort

Theater Works, Hartford CT

Set – Mariana Sanchez
Costumes – Blair Gulledge
Lighting – Rob Denton
Sound – Karin Graybash

Written & Directed by
Amir Nizar Zuabi

Performed by
Nadine Malouf

Scenic & Costume Design:
Mariana Sanchez

By Tanya Saracho

PRIMARY STAGES , CHERRY LANE THEATER

Direction: Jerry Ruiz

Scenic Design: Mariana Sanchez
Costume Design: Carisa Kelly
Lighting Design: Amith Chandrashaker
Sound Design: M.L. Dogg

Pictures by James Leynse

By Marisela Treviño Orta

OREGON SHAKESPEARE FESTIVAL  Ashland, OR

Direction: Laurie Woolery

Scenic Design: Mariana Sanchez
Costume Design: Raquel Barreto
Projection Design: Mark Holthusen
Lighting Design: David Weiner
Music and Sound Design: Bruno Louchouarn

Pictures by Mark Holthusen and Jenny Graham

"The cast is uniformly exceptional, and they each expertly straddle the line between fantasy and true emotion. The scenic design by Mariana Sanchez works a similar trick, placing simple set pieces—a wooden dock, a boat, a framed house on stilts—above a glistening splash of watery blue, with a silky curtain behind it all, occasionally opening to show hints of the village and the ocean beyond." David Templeton for the Pacific Sun

"Set in a small fishing village in Brazil, the play is contained within a sparse environment. Bathed in a silvery blue light, with a backdrop onto which is projected imagery reminiscent of Maxfield Parrish, the scenic design by Mariana Sanchez integrates the action so that the audience feels the power of the ever-present river..." Jeffrey Gillespie for the Tidings

"And the set by Mariana Sanchez is surreal.  The backdrop becomes alive in her capable hands..." Dennis Sparks

By Andrea Thome

THE PUBLIC THEATER

Direction: Laurie Woolery

Set and Costume Design: Mariana Sanchez

By Branden Jacob-Jenkins

YALE REPERTORY THEATER  New Haven, CT

Direction: Lileana Blain-Cruz

Scenic Design: Mariana Sanchez
Lighting Design: Yi Zhao
Costume Design: Montana Levi Blanco
Projection Design: Kristen Ferguson
Sound Design: Bray Poor

"The double world is dexterously summoned by
Mariana Sanchez Hernandez’s set.." Ben Brantley for The New York Times

"A change in consciousness nailed by Mariana Sanchez Hernandez’s ingenious set design, which literally folds and crumples the stark white walls and floors of the hospital room into a new netherworld-friendly space." Christopher Arnott for the New Haven Independent

By JM Barrie

YALE UNIVERSITY THEATER  New Haven, CT

Direction: Dustin Wills

Scenic Design: Mariana Sanchez
Lighting Design: Joey Moro
Costume Design: Grier Coleman
Sound Design: Tyler Kiefer

Pictures by T. Charles Erickson

 "The stage (scenic design by Mariana Sanchez Hernandez) really looks like a rundown orphanage. When a window opens, you feel the chill." Christopher Arnott, New Haven Independent

By Lorne Svarc

NEW SCHOOL FOR DRAMA, NYC

Direction: Noa Egozi

Scenic Design: Mariana Sanchez
Costume Design: Rachel Dozier-Ezell
Lighting Design: Oliver Wason
Sound Design: Emily Auciello
 

By William Shakespeare

Direction: Andras Viski

ISEMAN THEATER.  New Haven, CT

Scenic Design: Mariana Sanchez
Lighting Design: Benjamin
Costume Design: Carmen Martinez
Sound Design: Annie Yin

*Pictures by Christopher Ash

Some paper projects

By Heiner Muller

Directed by David Bruin

Cabaret Theater, Yale

2015

"With a hanging chandelier, low-wattage lights, and dark walls, the Cab has been transformed into a suitable “den of iniquity” as we gather around a handsome dining table of dark wood, a single chair on each side, to witness the elegant pas de deux of this entrancing duo..." Donald Brown for the New Haven Review

*Pictures by Joey Moro

Created and directed by Monique Barbee

Cabaret Theater - Yale School of Drama

02/2013

By Philipe Howze

Directed by Kate Tarker

Scenery by Portia Elmer and Mariana Sanchez

Yale Cabaret